Commentary from Robert S. Ellwood, Jr.

Excerpted from Religious And Spiritual Groups In Modern America, by Robert S. Ellwood, Jr., first edition; Copyright (c) 1973, Prentice-Hall, Inc. Chapter 5, "The Crystal Within," pp 164-167. Used with permission of and thanks to the author and publisher.

2. THE PROSPEROS

While basically inspired by Gurdjieff's concept of a "Fourth Way School," The Prosperos has developed its own variations on his sadhana, and has as its founder and leader a man who is a modern magus in his own right, Thane Walker. As is typical of the magus, no one knows the tale of his life or his age, but all agree he is an unbelievably magnetic personality, not warm so much as awe-inspiring and dynamic. He is always a presence and a catalyst. Those close to him say that, like Gurdjieff, he can play any role, but is always consciously in control of a situation, and by his presence can govern the interaction of people in a group from an observer's position. He never "lets down" but is always the magus, whether as teacher, "devil's advocate," or father figure to the band of young enthusiasts around him.

To The Prosperos, there is only the One Mind. Reality can be experienced only by seeing from its perspective . . .

Thane, as he is always called, was born in Nodaway County, Missouri, probably in the 1890s. No one knows his age, unless he does, but he enjoys telling funny stories about his hometown. He has been married twice, and has been teaching for some forty-five years. He has been all over the world. He claims to have been one of the first psychologists in America, to have been put in a Nazi concentration camp for writing an article entitled "I Saw Hitler Make Black Magic," to have been a Marine Corps officer and to have entertained American troops in Japan during the Occupation and all over the Pacific. Hawaii was home to him for some years and has a special place in his heart.

Mr. Walker also claims to have been a pupil of Gurdjieff, and to have modeled himself as a teacher on Gurdjieff more than on anyone else. He follows Gurdjieff's idea of teacher-student relationship; he wants to disorient the student, which he does through stories and making unreasonable demands. But he feels that more scientific methods of therapy are demanded today than Gurdjieff's music and exercises. He has drawn from the New Thought literature, Freud, Jung, and other modern schools of psychology, and from the occult and astrological traditions.

The Prosperos, named after the magician in Shakespeare's The Tempest, was chartered in Florida in 1956. The Founders were Mr. Walker and Phez Kahlil. The headquarters were subsequently moved about the country with extraordinary frequency.

The Prosperos emphasizes verbal instruction. In the words of a periodical:

In ancient times, The Prosperos would have been called a "Mystery School" and the Master of the School a "Teacher King." The popular phrase in our era is a "School of the Fourth Way" and Thane is simply called, "Teacher."

The awesome lineage which is the heritage of The Prosperos has always been transmitted through one key-method: the oral tradition - the "ear-whispered word."

There is no precise public statement of teaching. It is something which has to be experienced in classes, activities, and living together, although some of the classes have mimeographed texts. But a fairly accurate picture of the doctrine can be deduced from lectures and material which is available. Basically, a monistic idealism is assumed.

Consciousness, as Prospero, is all reason, and he must through the aid of Ariel, the transcendent superconsciousness (Reality), control Caliban, the unconscious, who is all memory . . . .

To The Prosperos, there is only the One Mind. Reality can be experienced only by seeing from its perspective, but most people are generally forgetful of the true self and allow their vision to be clouded by the senses and the memory. This is the immemorial teaching of the mystics, but their ways of overcoming it have generally been those which Gurdjieff, Ouspensky, and The Prosperos would term the first three ways: the fakir through the will, the yogi through the intellect, and the monk through the emotions. The "Fourth Way" both transcends these and is available to the person in the world. The Prosperos calls this method for identifying the individual with the One "Translation."

In Translation classes, the student is taught that God is simply the capacity to create and govern thoughts, that is, consciousness. But the thoughts of the Absolute mind, the "Reality Self," are not the same as the way they come out in the "beliefs" of the finite "human-equation mind." Straightening out this disequilibrium is the function of "conversation in heaven," (rather surprisingly, Walker uses much Bible allegory) or applied ontology, which enables one to see his situation as God, the Reality Self, not as he sees it from his partial, finite perspective. The Translation process has five steps: (1) Statement of Being (What are the facts about reality?); (2) Uncovering the Lie or Error (What do the senses claim?); (3) Argument (I'm going to test these claims); (4) Summing up results; and (5) Establishing the Absolute, the only point from which Truth can be demonstrated (seeing things as God sees them).

The delusions of the memory are also attacked. Consciousness, as Prospero, is all reason, and he must through the aid of Ariel, the transcendent superconsciousness (Reality), control Caliban, the unconscious, who is all memory. Subduing memories and liberating one's true self from them is called "Releasing the Hidden Splendour."

The Prosperos experience happens through lectures, classes in "Translation," "Releasing the Hidden Splendor," and other topics, and in intensive sessions. In his classes, Walker creates many kinds of experiences.

Perhaps the most significant part of the Prosperos experience, however, derives from the nature of the group. Most members are now in California and number perhaps 3000. They tend to be young, successful, employed in business or entertainment, liberal, expansive in life style. They talk strongly against orthodoxy in anything. They are optimistic, oriented toward change, enjoy talking about the future, the need for new attitudes toward sexual morals, and for creating a "transcendent society." Some members live with Thane in the headquarters building or in a co-op. They say that young people of the "hip" type are "proto-mutants," the first of a new kind of man with a new way of relating to the earth, and that The Prosperos is trying to help them find a way to do it.

The Prosperos has an inner circle called the High Watch, made up of those who have completed three classes ("Translation", "Releasing the Hidden Splendour", and "The Crown Mysteries"), submitted two theses, and delivered an oral dissertation. The Trustees are elected by the membership of the High Watch at the annual Prosperos Assembly. Nonetheless it is evident that Walker, the "Dean," is the real center of cohesion for the group; he is magus and father-figure to the many young people around him. He has trained one personal student, a lady; the future fate of The Prosperos will no doubt depend on her ability to catch the Dean's charisma.

Reading Selection : The Prosperos (below)

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Ellwood: Reading Selection - The Prosperos

This passage - a continuation of Robert S. Ellwood Jr.'s resume of The Prosperos circa 1973 - was selected by the author to represent a direct statement from The Prosperos about its instruction.

The psychological world view of most of the initiatory groups of modern origin shares with Freudians the fundamental assumption that it is the unconscous mind, as storage bin of past memories and hurts and servile reactions, which is the enemy of psychic freedom. At the same time, they share with the humanistic psychologists, such as Maslow, the conviction that man, freed from the unconscious mind, can attain a state of ecstatic "being," a pure, undeprived consciousness of union with the universe and mental sovereignty over it. They feel that this is man's truly natural state. Finally, and without regard for any inconsistency, they believe with the Jungians that the myth-like images which the imagination can draw out of the depths of the mind provide powerful tools for defeating the unconscious mind and allowing the self to soar free into present being-consciousness. Here, expounding their favorite myth, that of Shakespeare's The Tempest, a writer from The Prosperos portrays the process beautifully.

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Discovering that he has the ability of magic, Prospero casts his eerie spells on all who enter the "island" to which he has been exiled. Through the exercise of his mind, he can interpret, project, rationalize, imagine, and see all life as he wishes and to suit his fancy; but only within the "island" of his own comprehension. He recognizes his dual mentality; the conscious mind (Prospero, the magician) and the unconscious mind (Caliban), the unreliable, lying, diabolical monster who would destroy Prospero's magic abilities. Prospero discovers another facet of his mentality, the supra-conscious Ariel, the intuitive, altruistic, understanding agent, ready to aid Prospero when called upon.

As the play unfolds, it appears that Prospero has considerable control over Ariel, who does his bidding on the promise that Ariel will be set free of slavery when the goal is accomplished. Caliban, on the other hand, seems cooperative and bows in submission, only to turn upon his master in sly, sullen deceitfulness. Both servants respond only when called upon and commanded by their master. Man, functioning from the state of persona, realizes he is lost in his separateness. The negative qualities, misbeliefs, misinterpretations, evil appearances, lusts, and sense testimony of the carnal nature are ever at war with the pure comprehension of truth and the altruistic nature. As man realizes that he can control his whole nature only by recognition of the whole, he begins to take command of the good life and sees this reward as an achievement rather than a gift. In the play, [when] Prospero finds himself caught up in the action, and thus out of control, he stands to one side, observing. However, when in control he sits upon a throne, high above the action.

Howard Horton, "The Tempest: The Story of You," Mentation, III, 1, p.12.